Main Street by Sinclair Lewis

 

In my continuing quest to wrap up my Classics Club Challenge this year, I picked up Main Street by Sinclair Lewis. I have never read anything from him before, making this a great fit for the "classic by a new-to-you author" prompt in the Back to the Classics Challenge as well. Since I read so many books from the past, I'm used to not knowing much about them before I start. There's not a whole lot of buzz flying around the internet for books that are over 100 years old. However, in this case, I had actually seen a few reviews on classics blogs and gotten a few comments praising this novel, so I started off hoping that this would be an entertaining one.

The plot of Main Street follows Carol Kennicott, a young women recently graduated from college in Minneapolis and freshly married. She loves art and music and wants to have a big, exciting life. She isn't exactly sure what she would like to do, but she knows that she wants adventure and culture. Her new husband, Will, is a prominent doctor in a small town named Gopher Prairie in Minnesota. At first, she is very hesitant to move there with him, but he assures her that there are opportunities for her there; she is just what the town needs to liven it up. Intrigued by the idea of introducing art, music, and community improvements to the place, she agrees to move there and set up a household.

Within minutes of arriving at Gopher Prairie, Carol begins to feel like she made a mistake. The townspeople there are nice enough on the surface, but lurking underneath is a culture of closed-mindedness and judgement. Carol's enthusiasm for art and music are interpreted as arrogance and her efforts to improve the town are viewed with suspicion. She is constantly being gossiped about and watched by her neighbors, her every word and action picked apart in an effort to find faults. The few times she arranges events, they never go according to plan, and she soon becomes frustrated at the town's adherence to their old ways. Even her husband becomes annoyed with her, eventually accusing her of thinking that she is better than their neighbors and wondering why she can't simply be happy with things the way they are.

Naturally, in the face of this criticism, Carol falls into a depression. She begins to see Gopher Prairie as a prison instead of a home and she yearns to get away from it. Her feelings improve somewhat with the arrival of a son, Hugh, but she still feels like she is meant to do more than waste away in a stagnant town having the same conversations with the same people over and over again. She tries to distract herself in various ways, including developing a close (and scandalous) friendship with a like-minded man that works in the tailor's shop, but as usual, everything she tries to do ends very poorly. Eventually, she feels like she simply must leave in order to find her own happiness, but taking control of her own destiny is a difficult thing and she's not sure if she truly wants to walk away from everything she knows.

This novel covers the span of several years in Carol's life, and I have to say that Lewis did an excellent job covering the complexity of her feelings and the monotony of the years she spends in Gopher Prairie. My edition of the novel had 517 pages, and parts of it definitely dragged on. I believe this was on purpose to give the reader a sense of what Carol was feeling day after day in the town. It was tough at times to see her get disappointed again and again by everyone around her, but this was an effective technique to make you understand her struggle. I don't mean to imply that the entire story was depressing either; it was often witty and sarcastic. There were genuine moments of happiness and excitement throughout as well. As we all do in real life, Carol cycles through a lot of emotions rapidly throughout her days. At times she is hopeful, determined, and loving. At other times she is bored, cynical, and melancholy. She is imperfect as well, and has her moments of being arrogant just like everyone else, even though she doesn't realize it. It was realistic to the way people actually think, which I really appreciated. 

I was also impressed with Lewis' ability to write a believable female character feeling isolated and yearning for freedom. I could deeply relate to her struggles. I moved to a new, smaller state a few years ago, and I work in a small town where everyone has known each other for years. It's hard to fit in. The things Carol was thinking were often things I have thought too. I know what it's like to be feeling great about life and hopeful one minute, then get smacked down by a weird comment and feel sad the next. I know what it's like to have a hard time finding people with the same interests as you and feeling lonely a lot of the time. Carol's inner monologues were very genuine and allowed me to make a strong connection with the story. I could empathize with her, so I was invested in her struggle.

One of the biggest ideas in the novel, and the idea that the novel is probably the most famous for exploring, is small town America and its reluctance to embrace change.  Lewis makes it clear throughout the story that Gopher Prairie's Main Street is no different from any Main Street in any small town. The people are stuck in their ways, judgmental of others, and hostile to change. He lampoons the citizens of Gopher Prairie pretty mercilessly, creating characters that are unbearable in their simultaneous ignorance and arrogance. Not everyone is completely terrible, but everyone ends up being disappointing in one way or another. Whether it's through constant spying and gossiping about each other, being outright cruel to anyone who doesn't follow their societal norms, or being unwilling to try new things, the townspeople are quite the cast of characters. At the same time, they do have their moments of being kind and loyal as well, and even Carol doesn't hate everyone all the time. Living in a small town seems to require a fairly complex balancing act, and Lewis shows throughout the story that saying the right words, wearing the right clothes, and behaving the right way are deeply important matters that trump real forward progress. Yet, even in this socially fraught atmosphere, these places get a hold on people. Carol is consistently torn between leaving and staying in Gopher Prairie, even though it makes her miserable most of the time. She admits that there is a certain comfort in the community of a small place where everyone knows each other. So while the overall tone is negative towards these little towns, there is a grudging acknowledgement of the comforts they bring people too. Again, it was a realistic, if unflattering, portrayal.

I think was stood out to me the most of all in Main Street was the ending. I won't go into detail because I don't want to spoil anything for anyone, but I appreciated how it focused on inner changes rather than outer ones. It wasn't a perfectly neat ending, or an exciting one. I wouldn't even say it was particularly satisfying. What is did give you though, was a lot to think about. I liked that it was quiet and probably pretty close to what would happen in real life.

So although this book was long and deliberately monotonous a lot of the time, I really enjoyed my experience with it. I thought that it was very realistic and relatable to what people go through when they move, particularly women who move for a husband and find themselves adrift in a strange place. I liked watching Carol's journey. I was also happy to get a chance to read Sinclair Lewis's bitingly sarcastic prose. I would like to try another one of his novels eventually. This was one of those times where the book definitely lived up to the good things I heard about it.

Challenge Tally

Back to the Classics 2021 (A classic by a new-to-you author): 2/12

Classics Club (#37 on my list): 84/100 books completed

Total Books Read in 2021: 5

Wilder Girls by Rory Power

For my next read, I decided to try a book that's been lurking in the back of my mind ever since I bought it in 2019-- Wilder Girls by Rory Power. I first saw this novel in an article about upcoming summer releases and was immediately struck by the cover art. This has got to be one of my favorite book covers of all time. It's absolutely stunning. The summary in the article raised my interest even further. It was being billed as a female Lord of the Flies, and that was all I needed to hear. I added this book to my shelves on its release day. Of course, I didn't get around to reading it right away, but it remained one of the titles I would always think of when considering what to pick up next. My Clear the Shelves Challenge gave me the perfect excuse to finally give it a try.

The plot follows a trio of teenage students attending Raxter School for Girls, Hetty Chapin, Byatt Winsor, and Reese Harker. Raxter is a boarding school located on a small island off the coast of Maine, and is very isolated. As the story begins, the girls have been trapped there for over a year due to the emergence of a contagious disease called the Tox. They've all been infected and are under quarantine until the government can develop a cure.  The Tox is unlike any other illness. It attacks the girls in waves and triggers strange and painful mutations in their bodies. One girl grows a bloody set of gills in her neck. Another sprouts a second spine. Some can't endure the changes at all and die immediately.  It's a horrific and gruesome disease, and it's taking over the island. Even the plants and animals that live there are affected.

Tensions are high and supplies are very limited, so the girls have turned tough. They work in shifts to defend the school from increasingly bold animals in the surrounding woods, devise a system for rationing their food, and take care of each other as much as they can. Everyone is hoping for a cure to be discovered soon, but as more and more girls are succumbing to the Tox, it's starting to feel hopeless. Hetty, Byatt, and Reese grow very close, and their relationship helps give some comfort to their chaotic, messy lives. Their group becomes fractured, however when Byatt's condition takes a turn for the worse and she disappears from the island. Hetty and Reese are determined to find her, but their investigation turns up several disturbing secrets that threaten to overturn what little stability they have. There is more going on at Raxster than what is on the surface, and Hetty and Reese must solve its mysteries in order to save their friend.    

I ended up really enjoying this book, mostly because it was so strange. The story is a like a fever dream filled with pretty graphic body horror as the characters suffer under the effects of the Tox. I liked that it was all girls too, because we got a chance to see them be the ones shooting, fighting, and controlling the situation. It's not often that you have feminine characters covered in blood, puking, etc. in young adult fiction. I was struck by how gross it was, but in a good way. This story is definitely not for the squeamish.

Power's writing style was suitably dark and deliberately hazy throughout the story. This isn't a "nice" book. The characters are all dealing with horrific events, and the writing reflects their reality. She reveals information at a decent pace and creates a good amount of suspense throughout. The characters are pretty intriguing as well. Hetty, Byatt, and Reese all have distinct personalities and issues in the story. It's hard to like any of them, because we are seeing them all at their worst, but that doesn't matter so much here. 

This ended up being a quick read for me, because I was anxious to see how it would end and kept on turning the pages. I did have a few issues with it though. Since the plot is tightly focused on the action and the mystery of what's happening on the island, we don't get to learn as much about the characters as I would have liked. Byatt, especially, had an interesting back story hinted at, but we don't get to discover many specifics about it. The same is true of the Tox and the island. Due to the novel's quick pace, a lot of the details about how the disease worked were glossed over. Similarly the deeper mysteries of the island, including the information about what people on the outside were doing regarding testing and cure development were not detailed as clearly as they could have been. I wouldn't have minded this story being a bit longer, so it could have included more information. It would have felt more complete this way.

As it was, however, those issues didn't prevent me from enjoying the novel. I wouldn't exactly call it a "female Lord of the Flies," but it was still a very enjoyable read. I'm not sure if Power is planning a sequel to Wilder Girls or not. The ending was open enough to leave room for the possibility though, so I think I'm going to hang onto this one, just in case.

Challenge Tally

Clear the Shelves 2021: 2/50 (keep)

Total Books Read in 2021: 4

Love in the Time of Cholera by Gabriel García Márquez

 

**This review contains mild spoilers**

In an effort to finish more books from my Classics Club list this month, I picked up Love in the Time of Cholera by Gabriel García Márquez. This book is one of the newer books on my list, having been published in 1985, but I'd heard enough praise about both the title and the author to feel comfortable with considering it a "classic." I started off my reading knowing nothing about the plot except what was on the back cover, and this turned out to be a mistake. I'm going to get myself into trouble with this review. I did not like this book, and I know that I'm in the minority with that opinion. Still, I write this blog to reflect on my own personal feelings, so I'm just going to record my honest experience here and brace for disagreements.

The plot is set in Colombia between the late 1800s and early 1900s. It follows two characters, Florentino Ariza and Fermina Daza, who fall passionately in love with each other during their adolescence. Fermina's strict father does not approve of their relationship, so it must be carried out in secret. They get to know each other over the course of several years exclusively through letters and stolen glances at each other. They plan to sneak off and get married at the first opportunity, but when the moment finally comes, Fermina rejects Florentino. She realizes all at once that her feelings were infatuation and not true love, and she ends up marrying a wealthy local doctor instead.

Florentino is devastated by her decision. He believes that the love he feels for her is real and true, so he vows to wait for her husband to die so that she can come to realize the same. He is prepared to wait however long it will take and in the meantime, he begins a campaign of bettering himself. His plan eventually works, and he becomes wealthy and successful over ensuing fifty years. To fill the hole left in his heart from Fermina's rejection, he engages in a series of romantic liaisons with hundreds of different women. While he grows more attached to some of them than others, he always considers himself as belonging to Fermina. Eventually, the day he has waited so long for finally arrives. Fermina's husband passes away and he is free to pursue her once again, hopefully rekindling the love they shared when they were teenagers. 

I'll start with the positives. This was my first book by Márquez, and I was immediately impressed with his writing style. His prose is beautiful and like poetry to read. There is no doubt that this author has a special way with words. I also liked the general idea of the plot. Waiting so long for your one true love is a nice, romantic structure to hang a story around, and it and fits in well with Márquez's fairy tale-like, magical realism style of prose. Unfortunately, that's where my enjoyment of the novel ended, because while idea of it was lovely and the words he chose for it were lovely, the actual plot events and attitudes were not. There was a lot here I just couldn't get over.

I knew from the first chapter of this novel that I was uncomfortable with how Márquez wrote about women and sexuality. As the plot progressed, and the examples piled up, my discomfort only increased. A lot of this story has not aged well at all. The biggest example of this, and what bothered me the most, was the way Márquez romanticized rape throughout this story. This happens numerous times; rapes occur frequently, both perpetrated by Florentino and by others, and each time it happens it's treated as an expression of uncontrollable lust or love rather than a violation. One instance of this is Florentino's first sexual encounter. An amorous woman pulls him into her cabin during a boat trip and rapes him. It is an aggressive and impersonal act. Florentino never learns her true identity, and becomes obsessed with the mystery woman for the rest of the trip. He wishes for it to happen again. He continues to think about her fondly long after the voyage is over. This type of reaction to sexual assault returns again much later in the story when a female character is raped by a stranger when she was a child walking home one night. Afterwards, as she lay bloody on the ground, she is filled only with intense love for this stranger. She spends the rest of her life trying to find him again. 

Yet another example of this type of abuse of power comes when Fermina's original husband, Dr. Urbino, engages in an affair. He makes his first overture to this other women by touching her inappropriately during a medical exam he is performing. If something like this happened to me, it would be one of the most traumatic experiences of my life. The woman in this story, however, enthusiastically accepts his advances and it starts off their illicit relationship.

There are more examples than this. This is a pervasive motif throughout the novel that deeply impacted how much I could enjoy the text. These rapes are a male-fantasy version of assault where a man just can't help himself and the woman is okay with it (or vice versa). I couldn't overlook it.

Also difficult to overlook was Florentino's behavior as he makes his way through his sexual conquests. The way he describes encounters that were consensual were often rude or demeaning to the women involved. One woman, for example, he describes as an "uninspired lay." The way he writes about heavier women and older women was not flattering either. His encounters that were not consensual were extremely off-putting. At one point in the text, it is casually revealed that he raped a maid in his household, left her pregnant, and had to pay her off to keep her quiet about it. Márquez slips this into the text as an inconsequential side note, to contrast how weak he has become after suffering an injury. Other people in the story know about this and don't seem to care much. 

By far, the worst example of his behavior is in his grooming and rape of América Vicuña, a young relative sent to live with him for a time while she attends school. América is 12 years old when they first meet, and he sets out to molest her immediately. 

She was still a child in every sense of the word, with braces on her teeth and the scrapes of elementary school on her knees, but he saw right away the kind of woman she was soon going to be, and he cultivated her during a slow year of Saturdays at the circus, Sundays in the park with ice cream, childish late afternoons, and he won her confidence, he won her affection, he led her by the hand, with the gentle astuteness of a kind grandfather, toward his secret slaughterhouse.

América enthusiastically accepts his advances and falls deeply in love with him. When Fermina becomes available again, he breaks off their relationship. Devastated, América falls into a deep depression and kills herself. This is all narrated in a very poetic way, like it's a great romantic tragedy. Florentino suffers some pangs of guilt, but is reassured by the idea that no one will ever know his part in it. The fact that he completely destroyed a child's life is not explored; it's not the story Márquez is telling and América is treated as an accessory to Florentino's sexual desires, as nearly all the female characters in the novel are.

In exploring some of the reviews on Goodreads for this novel, I can see that other readers are very split when it comes to these parts of the story. Some, like me, react quite negatively to them. Others justify their inclusion by saying that Márquez intends for these sections to be this way. They claim that Love in the Time of Cholera is not a love story at all, but a sneaky commentary on the dark side of desire and relationships. Florentino is meant to be creepy and the story is meant to be disturbing. Love can be as insidious and deadly as cholera, as the title hints towards. This is probably true. I'm certainly no literary scholar. What I can say, however, is that I did not get the impression that this was a deliberate strategy to explore a dark topic while I was reading. Márquez's style of storytelling paints Florentino as a romantic hero, and his quest to win back the love of Fermina is very positively portrayed. I did not pick up on enough clues or comments to truly feel like this book was saying something else, especially considering how it ended. While I do think that Márquez was consistently commenting on the all-encompassing, sometimes damaging nature of love, I also feel that there are simply misogynistic and outdated ideas rooted deeply in this story. I couldn't forgive it, not even in the face of some intensely beautiful prose.

I found that once I was truly uncomfortable with the way Márquez wrote about sex and women, I was unable to get lost in the plot of the story. My brain constantly wanted to pick apart each sentence and analyze it negatively. I came to think that Florentino's love for Fermina more closely resembled obsession, and that his endless letters and strategies to win her heart were closer to stalking than courting. I haven't even gotten into the naked racism shown towards black characters, but that was there too. Once I got to the point where I was hoping América would reenter the story and murder Florentino for what he did to her, I knew that this book was a lost cause for me. 

Of course, I have classics-guilt now for feeling critical of this novel. Gabriel García Márquez has won the Nobel Prize for his literature and lots of people consider this novel to be a masterpiece. Surely I must be reading it wrong. In all likelihood, I probably am. However, the fact remains that whatever is special about this book did not reach me. I couldn't see it. All I could see were women being repeatedly placed into situations that robbed them of their power, their safety, and their dignity while the author called it love. 

I should have tried One Hundred Years of Solitude instead. 

Challenge Tally

Classics Club (#19 on my list): 83/100 books completed

Total Books Read in 2021: 3

Allegedly by Tiffany D. Jackson

For my next read, I decided to start on my Clear the Shelves challenge and just pick something I already owned that I felt like reading. I was in the mood for some hard-hitting young adult contemporary, so I selected Allegedly by Tiffany D. Jackson. I picked this up randomly at a bookstore ages ago based on the intriguing title and summary on the back cover. This seemed like just the kind of gritty, emotional read I was looking for, so I was excited to dive in.

The plot follows Mary B. Addison, a sixteen year old girl living in a group home. She was recently released from prison after serving a manslaughter sentence for allegedly killing an infant that her mother was babysitting when she was just nine years old. Mary never confessed to the crime; in fact, she refused to even speak about the incident when questioned by the police and a series of psychologists. The testimony of her mother combined with circumstantial evidence was enough to convict her, however, and she's spent the last seven years of her life in prison.

The group home she was released to isn't much better than being behind bars. The other girls that live there are violent and aggressive, and the adults who are supposed to care for her are abusive and neglectful. Mary is in constant fear for her safety, but she also has some small hopes for the future. She is very smart, and has been studying hard for the SATs. She has a secret boyfriend at the nursing home where she does community service that she loves deeply, and she hopes to go to college and find herself a good job and living situation once she turns 18. Her plans are thrown into disarray, however, when she becomes pregnant with her boyfriend's baby. 

She desperately wants to raise her child, but she knows that she won't be able to in her group home. As she is a ward of the state, her baby is also a ward of the state and will be taken away from her when it is born. Her only chance is to get herself exonerated for her crimes and get emancipated. In order to do that though, she must reveal what really happened to that baby that was killed seven years ago and reopen all the painful wounds of her past.

I ended up liking this book, but I really wanted to like it a little bit more than I did. One aspect I did enjoy was how Jackson wrote realistically and graphically about the issues Mary was facing in the system. Her life in the group home is cruel and brutal. There's cursing, violence, and endless abuse, and Jackson didn't soften anything for her young adult audience. At times, it almost seemed like the negativity was over the top, or that Mary was enduring an unrealistic amount of hardships, but I suspect that's my privilege speaking. I know from teaching that there are some children that deal with trauma on a constant basis and that group homes are often nightmarish experiences. While's Mary's experience felt overwhelmingly bad, I think it probably was somewhat realistic. It was often difficult to read this book, but that is to its credit. Jackson did a good job showing the harsh realities that kids in the system go through.

Another aspect of the novel that I appreciated was how Jackson included an exploration of race in the story. Mary is black and the baby she was accused of murdering was white, and this difference played a big part in the public perception of her case. The public was calling for her to be tried as an adult and calling her a murderer when she was only nine years old, and Jackson isn't shy about implying that the reason she ends up facing such harsh criticisms and punishments is due, at least in part, to the color of her skin. While any crime involving the death of an infant would be very serious and anger the public, we know data shows that black teens are over-represented in the criminal justice systems and tend to receive less benefit of the doubt and harsher punishments than white teens. In Mary's case, she was successfully prosecuted on very little evidence, and her seemingly clear mental health issues were ignored, pointing to racial bias in the system. I was glad Jackson included these elements in the story as it made it feel more relevant and gave the reader something to think about.  

Something I didn't like so much was Mary's boyfriend in the story. He's got his own difficult past, and by the time Mary knows all of it, I think she forgives him a bit too easily. The way Jackson depicts him is too sympathetic and does not provide a particularly good or meaningful message to her young adult readers. Also, a large part of the story deals with Mary's fears about the age difference between her and her boyfriend. At the start of the story, she is fifteen and turns sixteen almost immediately. He is eighteen. Throughout the book, she makes a lot of decisions out of a desire to protect him, as if their relationship is illegal. In New York, where the story is set, it would definitely not be illegal. They have a "close in age exemption" there, so there was nothing wrong with them being together (even though an eighteen year old sniffing around a fifteen year old gives me the creeps). As a legal adult, I assume he would have rights to their child if the state wanted to take it away from Mary. However, if he could have taken custody of their baby when it was born, the whole story wouldn't have worked. I suppose that's a plot hole.

I also didn't like the ending very much. Jackson was going for a big twist, but I don't feel like enough clues were woven into the text along the way to make the twist successful. If felt too abrupt and didn't match up the the prior behavior of the characters. I thought that too many of the plot events were left hazy too. I wanted a clearer picture of what really happened in Mary's past and I never got it. I can't go into more detail without spoiling major plot points, but I feel like the ending placed the delivery of a twist over the delivery of a deeper message to readers, and it was kind of a shame.

Despite those issues though, this was still a compelling novel and I do think it was worth reading. It shined a light onto a portion of society that is often ignored or vilified and brought up a lot of interesting things to think about. It fell short of being a really meaningful read in the end though, as Jackson's final twist really changed the trajectory of the story. I have another book by Jackson on my shelves, Monday's Not Coming, and I'm interested to see if I will like the construction of that one any better. I don't think I'll be rereading Allegedly, so I will be donating it. That makes this the first book cleared from my shelves for my challenge this year.

Challenge Tally
Clear the Shelves 2021: 1/50 (donate)

Total Books Read in 2021: 2

From the Earth to the Moon by Jules Verne

 

For the sixth year in a row, I started off my reading for the year with Jules Verne. I ran out of Verne books that I had heard of before by year three of this tradition, so I've had to do a bit of digging in recent years to find new stories to read. With this one, however, I got rather lucky. I came across From the Earth to the Moon in a used bookstore about a year ago, so I saved reading it for now. Based on the title and cover art on my edition of the book, I assumed that this would be a novel about a space mission to the moon, full of dense scientific descriptions of moon topography. Basically, I was expecting 20,000 Leagues Under the Sea, but in space. As usual, my assumptions proved to be totally wrong.

The plot begins in 1865 with four members of the Baltimore Gun Club: President Impey Barbicane, General Morgan, Major Elphiston, and Secretary J.T. Maston. Each of these men are enthusiastic inventors of artillery that distinguished themselves with their creations during the Civil War. When the war ended, however, they found themselves without purpose. With no wars going on, and no conflicts on the horizon, there was no need for them to develop new weapons. To assuage their boredom, President Barbicane suggests a massive new project--to build a giant cannon and shoot a projectile all the way to the moon. Their overall desire is to achieve something that has never been done before with artillery, and they also hope to attract the attention of any species that might be living on the moon and open up a line of communication between them. The entire gun club, and the general public, enthusiastically agree to the project and they start working on it straight away. 

Their first priorities are to determine how to make the projectile, how large to build the cannon, and how much powder to use for propulsion. They use data from their past creations and mathematical calculations to decide these issues, and then set about raising money and choosing a location to build in. As they want to keep the entire project housed within the United States, they end up choosing Tampa as their launch site. They ask for donations to fund the project, and people from all over the world are so enamored with the idea that they have no trouble raising what they need. Before long, they are in the building phase and everything moves along according to plan.

While their cannon and projectile are being constructed, they receive a mysterious telegram from a Frenchman named Michel Ardan. He proposes to seal himself inside the projectile and make their mission to the moon a manned one. After meeting with him, the group must decide whether they will allow him to do this, and then see if they can have a successful launch.

I ended up enjoying this book, but I think you have to be a specific type of person to like it the same way I did. From the Earth to the Moon is a very fitting title for this novel, because the entire story is about the process of getting to the moon. It ends on a big cliffhanger and we don't get to see the full results of the project up close at all. If you want the rest of the story, you have to read the sequel, Around the Moon. This is a book about drafting plans and constructing artillery. Verne leaves no detail out, and most of the pages in the novel break down the math, physics, astronomy, and costs associated with the project. He is as accurate with his information as someone writing in the nineteenth century can be, and it's clear he did copious amounts of research to make the plot of this novel as believable as possible. I was absolutely blown away by his prediction that either Florida or Texas would be the best place to launch the projectile from, as both of those places are closely tied to the U.S. space program now. As a perfectionist who really enjoys planning, I liked reading about the meticulous process Barbicane and his pals went through. I would assume that a lot of readers, however, might get really bored with this.

The characters were very typical Verne characters. With Barbicane you have the stalwart, preternaturally intelligent leader. With Maston you have the overly-enthusiastic and loyal sidekick. With Ardan you have the likeable French guy. All of his classic archetypes were there. I do have to say that none of the characters here particularly grabbed me, as the text was more about the process of making the projectile rather than about the characters as individuals. There was no one as distinctive as Captain Nemo, for example. What made them fun. however, was all the gentle ribbing Verne does about their American-ness. I thought it was hilarious how he poked fun at the American enthusiasm for guns and firepower. Towards the start of the novel, he explains that, "the sole preoccupation of [the Baltimore gun club] was the destruction of humanity from motives of philanthropy, and the perfecting of firearms considered as instruments of civilization." He goes on to describe its members as, "an assembly of exterminating angels, otherwise, the best fellows in the world." Almost all of them are missing a limb or two from their creations, but that doesn't cool their ardor for gun design in the slightest. His sense of humor was excellent, and it was pretty amusing that the jokes he was making back in 1865 were still funny today. He wasn't mean-spirited with his teasing though, and you could tell that he rather admired his heroes' uniquely American grit.  

I would probably stick From the Earth to the Moon somewhere in the middle of the pack when it comes to ranking the Verne novels I have read. It wasn't too heavy on the scientific exposition (at least compared to some of the others I've experienced), but it wasn't super-memorable either. I also think it was a little bit of a disappointment to leave the story so incomplete. It's basically half of a story. If I didn't have a tight schedule to maintain with my Classics Club list, I've probably just go ahead and read Around the Moon next, but as it is, I might end up waiting until January 1st of next year to see how this one ends. It's still a great read though, especially for old school science fiction fans like me.    

Challenge Tally
Back to the Classics 2021 (A Travel or Adventure Classic): 1/12

Total Books Read in 2021: 1

Clear The Shelves 2021

 

One of my reading goals for 2021 is to do more mood reading. I tend to participate in lots of reading challenges, which require to me read specific titles. That's fun for me, but sometimes I find myself wishing that I had more time to just pick up whichever book I actually feel like reading in the moment. 

Another one of my goals for this year is to start getting a handle on the piles and piles of unread books on my shelves. I'm buying way more books that I can read and they are pretty much taking over my home. I've got multiple bookshelves and two rolling carts overflowing with unread novels. I have a tag on Goodreads for books I own but have not read yet. There's currently 593ish books on it. Seriously. I need to stop acquiring so many new ones and start reading the ones I have. 

I rarely keep books after I've read them. I only hang onto ones that I truly love and can see myself reading again. I want to work on reading and donating this year to get that number of unread books down a bit.

So, in an effort to work on both of these goals this year, I'm bringing back my Clear The Shelves Challenge. I did this once before, back in 2018, and I ended up donating 21 books by the end of that year. I want to do much better than that this year. I would love to read and decide to keep or give away 50 books. I'll pick books to read based on my mood at the time and I'll keep track of the titles I finish here. I'm also going to try and reduce the amount of books I purchase in 2021, which might actually be the hardest part of this whole challenge.

Books Read: 

1. Allegedly by Tiffany D. Jackson (donated) 

2. Wilder Girls by Rory Power (kept)

3. The Kingdom by Jess Rothenberg (donated)

4. The One by John Marrs (donated)

5. Reverie by Ryan La Sala (donated)

6. The Bear and the Nightingale by Katherine Arden (donated)

7. The Girl in the Tower by Katherine Arden (donated)

8. The Winter of the Witch by Katherine Arden (donated)

9. Monday's Not Coming by Tiffany D. Jackson (donated)

10. Ship It by Britta Lundin (donated)

11. The Art of Starving by Sam J. Miller (donated)

12. Shadow and Bone by Leigh Bardugo (donated)

13. Siege and Storm by Leigh Bardugo (donated)

14. Ruin and Rising by Leigh Bardugo (donated)

15. Six of Crows by Leigh Bardugo (kept)

16. Crooked Kingdom by Leigh Bardugo (kept)

17. The Bear by Andrew Krivak (kept)

18. The Girl from the Sea by Molly Knox Ostertag (kept)

19. The Cold is in Her Bones by Peternelle van Arsdale (donated)

20. The Loneliest Girl in the Universe by Lauren James (donated)

21. Unhooked by Lisa Maxwell (donated)

22. Heart of Iron by Ashley Poston (donated)

23. Stargirl by Jerry Spinelli (donated)

24. Butterfly Yellow by Thanhhà Lại (donated)

25. Bad Sister by Cherise Mericle Harper (donated)

26. City of Ember by Jeanne DuPrau (kept)

27. Another Kind by Cait May and Trevor Bream (kept)

28. Lore Olympus by Rachel Smythe (kept)

29. The Carnival at Bray by Jessie Ann Foley (donate)

30. The People of Sparks by Jeanne DuPrau (kept)

31. The Prophet of Yonwood by Jeanne DuPrau (kept)

32. The Diamond of Darkhold by Jeanne DuPrau (kept)

33. Ramona Blue by Julie Murphy (donate)

Reading Resolutions: 2021

 

It's a new year, so once again it's time to outline my reading challenges for the year. I'm keeping things relatively simple this time around. I'm mainly working on my classics and then trying to read books I already own. My overall goal is to incorporate more mood reading into my routine in between the classics I have to read for my challenges. Here's the breakdown:

My Goodreads reading goal this year will be the same as previous years. I want to read at least 50 books in 2021. I'm also going to try using Reader Voracious's reading spreadsheet, so that I can have better stats on my reading at the end of the year.

This is a big year for my Classics Club Challenge - it's the final one! I have all of 2021 to read the 18 remaining novels on my list and to reread War and Peace if I really want to finish the thing up right. This is not going to be easy. Despite a conscious effort to read some of the longer ones as I've gone along, I'm left with a lot of seriously thick novels. It's actually not certain that I will finish this in time at all, but I'm going to do my best.

I will also be participating in the Back to the Classics Challenge again for the seventh year. Luckily, most of my picks this time around overlap with my Classics Club list. My sign-up post is here.

Lastly, I will be participating in a challenge I made up myself - Clear the Shelves 2021. I want to read books I already own and decide whether to keep or donate them. I'm hoping to make decisions on at least 50 books. Again, this won't be easy with all the long classics I have to read this year, but I think this will be a good way to read more books based on my mood.

All of this is definitely going to be a challenge, but I'm going to try my best to get it done. I'm excited to see what this year will hold for me, and to see if I can actually finish my Classics Club list on time!